3D innovation can be followed right back to the start of photography. In 1844 David Brewster imagined the Stereoscope. It was another creation that could take photographic pictures in 3D. Afterward, Louis Jules Duboscq took that creation and enhanced it. Louis snapped a ข่าวเทคโนโลยี photo of Queen Victoria utilizing the improved innovation and showed it at the Great Exhibition in 1851. This image turned out to be very notable all through the world. Steroscopic cameras began to get on and turned out to be genuinely normal for individual use by World War II.
In 1855 the Kinematascope, a sound system liveliness camera, was concocted. It had the option to make 3d movies. In 1915 the main anaglyph film was created. Anaglyph innovation utilized 3d glasses with 2 distinctive shading focal points that would guide a picture to each eye. In 1890 William Friese-Greene, a British film pioneer, recorded a patent for the 3D film process. In 1922 the main open 3D film, “The Power of Love”, was shown. In 1935 the main 3D Color film was delivered. The utilization of the innovation would stay lethargic for longer than 10 years.
During the 1950s, 3D innovation made a return. During this period, TVs had gotten very well known and had begun showing up in numerous family units. During the 50s various 3D films were being created. In 1952 “Bwana Devil” by United Artists was appeared over the United States. This was the principal 3D film of the 50s. The film was given utilizing a procedure called Natural Vision. This procedure was pitched to Hollywood studios yet they all passed. After a year, in 1953, “Place of Wax” was discharged in 3D. “Dial M for Murder” was initially wanted to be discharged in 3D, however Alfred Hitchcock chose to discharge the film in 2D to expand benefits. Not all cinemas were furnished with the 3D innovation. 3D films were additionally being created outside of the United States. In 1947 The Soviet Union discharged their first full length 3D film, “Robinson Crusoe”.
During the 1960s another innovation called Space-Vision 3D was discharged. This innovation took two pictures and printed them over one another on a solitary strip. In contrast to past 3D advances, it required a solitary projector with a unique focal point. This new innovation evacuated the need to utilize two cameras to show 3D motion pictures. Two camera frameworks were hard to utilize, in light of the fact that it necessitated that the two cameras were impeccably matched up. The main film to utilize this innovation was “The Bubble”. The film was panned by pundits, however the 3D experience despite everything brought colossal crowds. It turned into a gainful film, preparing the new innovation for advancement to different studios.
In 1970, Allan Silliphant and Chris Condon created Stereovision. This was another 3D innovation that set up two pictures crushed next to each other on a solitary segment of 35 mm film. This innovation utilized an extraordinary anamorphic focal point that would broaden the image utilizing a progression of polaroid channels. The main film to be discharged in Stereovision was a softcore sex satire called “The Stewardesses”. The film cost just $100,000 USD to make and it earned an astounding $27 million in North America.
In the mid 1980s numerous films were discharged in 3D utilizing a similar procedure as Space Vision. A portion of the films that were discharged were Amityville 3-D, Friday the thirteenth Part III, and Jaws 3-D. In the mid 1980s, IMAX started delivering narrative movies in 3D. IMAx’s 3D innovation accentuated mathmatical accuracy and this wiped out the eye weakness that was seen in past 3D advances. In 1986, Canada had built up the main 3D film that utilized captivated glasses. It was designated “Reverberations of the Sun” and was made for Expo 86.